Niel Gow(1727–1807)
Niel Gow, fiddler to the Dukes of Atholl
The Inver weaver's son who taught himself the fiddle by ear, was retained as house musician by the Dukes of Atholl from 1745, composed roughly eighty-eight strathspeys and reels that became the repertoire of Scottish traditional music, and sat for Raeburn at sixty-three as the foundational image of the Scottish fiddler.
Niel Gow was born on 22 March 1727 at the Perthshire village of Inver, two miles below Dunkeld on the Tay, the son of a weaver. There were no professional musicians in the family. He taught himself the fiddle on a borrowed instrument from the age of nine, took his first paid engagement at thirteen, and was the dance-fiddler of the upper Tay valley by his late teens.
The Duke of Atholl's household retained him as house fiddler in 1745, when he was eighteen, with a small house and croft at Inver and the brief of playing at the Blair Castle entertainments. He held the appointment for sixty-two consecutive years, to his death in 1807, the longest single house-musician's appointment in Scottish music history.
He composed at a rate of about two pieces a year. Roughly eighty-eight survive, in the Collection of Strathspey Reels (1784) published by his son Nathaniel and the further volumes his sons brought out across the 1790s and 1800s. The body includes Niel Gow's Lament for the Death of His Second Wife (1805), still the most-quoted Scottish traditional fiddle lament, Loch Erichtside, The Athole Highlanders' March to Loch Katrine, and some seventy strathspeys, reels, jigs and hornpipes that have stayed in the ceilidh and dance repertoire of Scottish traditional music continuously since.
He sat for Henry Raeburn at sixty in 1787 and again at sixty-three in 1790. The first portrait, now in the National Gallery of Scotland, shows him with the fiddle on his knee with the focused look of a working musician between tunes; the second, bow on string in mid-stroke, hangs at Blair Castle. The two Raeburn portraits became the foundational image of the Scottish fiddler.
His sons carried the practice into the next generation, Nathaniel in particular running an Edinburgh music-publishing business that put the Gow compositions into international circulation. Niel Gow played his last engagement at an Atholl ball in October 1806, at seventy-nine, and died at the Inver house on 1 March 1807, six weeks short of his eightieth birthday. He is buried at Little Dunkeld a mile from the house, under a slab carved with a fiddle. The Gow name, the patronymic of the Gaelic gobha or smith, he carried from a Perthshire weaver's croft into the core of Scottish traditional music.
Achievements
- ·House fiddler to the Dukes of Atholl, 1745 to 1807 (62 years)
- ·Composed approximately 88 surviving strathspeys, reels, jigs and laments
- ·Niel Gow's Lament for the Death of His Second Wife (1805): the most-quoted Scottish traditional fiddle lament
- ·Sat for Henry Raeburn at sixty (1787) and again at sixty-three (1790); both portraits the foundational image of the Scottish fiddler
- ·Five sons carried the working musical practice into the next generation
- ·Buried at Little Dunkeld, 1 March 1807
Where this story lives
- Geography: Atholl & Strathearn
- Family page: Clan Gow