Lithuania · Restored
Trakai Island Castle
Trakų salos pilis
Trakai Island Castle is a red-brick Gothic island castle on Lake Galvė in Trakai, Lithuania, originally begun in the 14th century and completed in its major phases around the early 15th century. After long ruin it was extensively reconstructed in the 1950s–1960s and now houses the Trakai History Museum. The complex comprises a keep, curtain walls, multiple round defensive towers with conical tiled roofs, a gatehouse and a Ducal Palace grouped around an inner yard.
Its prime
1409
Today
Restored
Ranked among Europe’s castles
As it stood in 1409
What Trakai Island Castle looked like in its prime.
A compact red-brick Gothic island castle set directly on Lake Galvė, with tall round corner towers topped by steep conical orange-tiled roofs and a higher multi-storey rectangular keep with a steep gabled roof; thick curtain walls rest on lighter-coloured stone foundations. A central gatehouse with an arched entrance faces the lake, joined to the island by a low wooden bridge; the Ducal Palace wings sit within the walls around an inner yard with wooden galleries. The island reflects clearly in the lake.
Its story
The story of Trakai Island Castle.
Kęstutis Builds on the Largest Islet
Before any wall went up, the site was not one island but three small islets with boggy ground between them, and those conditions shaped the plan that followed. In the second half of the fourteenth century Grand Duke Kęstutis ordered a stone castle raised on the largest of them, the work bound up with the strengthening of the Trakai Peninsula Castle. It had two baileys and a semi-enclosed residential palace whose walls rose only to about the second-floor window sills, with no keep yet and the bailey wall and moat barely begun. Kęstutis moved his main residence and his treasury out to the island. The castle burned while still under construction, and in 1377 an attack by the Teutonic knights left it badly devastated.
Besieged by Jogaila and Vytautas, Rebuilt to 1409
After the assassination of Kęstutis, Jogaila and Vytautas the Great fought for the title of Grand Duke of Lithuania, and the island castle was besieged by both sides. Soon after their reconciliation the second building phase began, running until 1409 and counting as the major development in the castle's history. During the truce with the Teutonic Order the works were apparently supervised by the Order's own stonemason, Radike — four years before the two sides met at Grunwald.
Two wings were added, and on the southern side a six-storey keep of 35 metres whose movable gates separated the palace from the rest of the castle; besides its defensive work it held a chapel and living quarters, and it linked to the multi-storey Ducal Palace. The Ducal Hall took the entire southern wing, some 21 metres long, a room whose proportions only the Upper Palace of the Vilnius Castle Complex could surpass. The builders worked in red Gothic brick, keeping stone blocks for the foundations and the upper parts of walls and towers.
Cannon Towers and a Moat for Small Boats
The expansion of the early fifteenth century thickened the walls to 2.5 metres and raised them with additional firing galleries. Three major defensive towers went up on the corners, the south-western one also serving as a prison, their top storeys given over to soldiers and a large number of cannons. Lake Galvė then stood several metres higher than today, and the builders used the extra water to separate the Ducal Palace from the rest of the castle with a moat just wide enough for small boats, crossed by gates that could be raised if an enemy came.
From Grunwald to the Muscovite Wars
The castle lost its military importance soon after the Battle of Grunwald, where the Grand Duchy's chief enemy was defeated by the Polish-Lithuanian army, and it became a residence: newly decorated within, painted with frescos that survive in part, and used to receive foreign emissaries. Jogaila visited thirteen times between 1413 and 1430. The Flemish traveller Guillebert de Lannoy saw it in 1414 and wrote that "the old castle stands on one side of the lake, in open ground, the other one stands in the middle of a second lake, and is within a cannon shot of the old one. It is completely new, built from bricks following French pattern."
Vytautas the Great died in the castle on 27 October 1430, without being crowned King of Lithuania. Under Sigismund Augustus it was redecorated in Renaissance style and served briefly as a royal summer residence; the Lithuanian Metrica was kept here until 1511, and later the castle was used as a prison. The wars with Muscovy did the lasting damage: the fighting of 1655–1660 left it broken and long unattended, never reconstructed, and the ruins decayed.
Rebuilding Against Soviet Resistance, 1946–1962
Reconstruction plans were drawn up in the nineteenth century, and the surviving wall paintings were redrawn in 1822 and copied again in 1933. The Imperial Archaeological Commission began documenting what remained in 1888, and German specialists made attempts of their own during the First World War. Between 1935 and 1941 Lithuanian and Polish preservationists strengthened parts of the Ducal Palace walls and rebuilt the south-eastern tower, until the intensifying war stopped the work. The finds from the excavations of 1929–1939 — imported and local pottery, chess pieces, stove tiles, coins — were destroyed during the Nazi occupation.
A major reconstruction project was begun in 1946, with active work from 1951–1952 and the greater part finished in 1961, the castle rebuilt in fifteenth-century style to a design by B. Krūminis and other architects. It was a Lithuanian initiative, and it met resistance from Soviet authorities. The Trakai History Museum was established in the restored palace in 1962.
Step inside
9 places to explore in 1409.
The record describes 9 distinct spots at Trakai Island Castle, including 4 interiors: main gatehouse passage, keep interior, chapel and living quarters, ducal palace inner yard with wooden galleries and more. Create your own photoreal reconstruction and explore every one, more scenes means more rooms, more angles, and more of the place to stand in.
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