Ancient site · Greece · Partial ruin
Knossos
Knossos is an archaeological site on Kephala hill in Crete dominated by the multi-storey Palace of Minos, the largest centre of Minoan civilisation. The complex contains courts, storage magazines, staircases, reception and ritual spaces and richly painted wall plaster. Occupation at Knossos spans from the Neolithic into the first millennium AD, with the palace reaching its height in the Bronze Age.
First raised
6999 BC
Its prime
1500 BC
Today
Partial ruin
As it stood in 1500 BC
What Knossos looked like in its prime.
A multilevel palatial complex built in pale and ochre ashlar and rubble masonry with broad terraced platforms, recessed porticoes and painted plaster surfaces; many timber elements were supported on distinctive red, tapering Minoan columns with dark capitals. Open central courts and light-wells puncture the mass; long magazine blocks held large clay pithoi. Colourful frescoes occupied recessed wall panels, and the whole sits on Kephala hill amid olive groves and low stone boundary walls.
Its story
The story of Knossos.
Kephala Hill Settled, c.7000–1900 BC
The earliest known settlement on Kephala hill, in the Kairatos valley, in what is now southern Heraklion, dates to about 7000 BC, one of the earliest permanent settlements on Crete. That first community lived by farming, herding and domestic craft on the summit the palace would later occupy, and left deep deposits of pottery, stone tools and figurines.
Through the Early Bronze Age, about 3000 to 1900 BC, the settlement grew in size and complexity. At the close of that period the structures on the hill were levelled to create the platform on which the first palace was raised.
The First and Second Palaces, c.1900–1450 BC
The first palace was built around 1900 BC and seems to have served as a centre of administration, storage, redistribution, ritual and craft production; its sealings, magazines and early writing point to a complex bureaucracy. Whether it was also a royal residence is still debated. It was destroyed around 1700 BC, probably by an earthquake or a run of seismic events, and rebuilt larger and more elaborate on the same ground.
The second palace, standing from about 1700 to 1450 BC, was the height of Minoan Knossos: a great central court ringed by monumental entrances, staircases, magazines, light wells, drainage channels and painted walls, with the town around it expanding to make Knossos the largest known Minoan centre. Aegean place-name lists from Egypt have been read as including Knossos, an indication of its diplomatic or commercial reach. Around 1450 BC the palace was partially destroyed, during a wider period of disruption affecting many Minoan sites.
Mycenaean Archive and the Fire of c.1350 BC
After about 1450 BC Knossos became an important Mycenaean administrative centre. Its Linear B tablets record an early form of Greek and document control over land, labour, livestock and textiles; they were central to the decipherment of Linear B by Michael Ventris and John Chadwick, which showed Late Bronze Age Crete keeping its accounts in Greek. The palace was destroyed by fire around 1350 BC, ending the palatial phase, though the site stayed occupied on a smaller scale.
City-State, Roman Colonia and the Labyrinth
Grave goods from the Early Iron Age cemeteries at Fortetsa and Teke show continued prosperity and overseas contacts after the palace fell. In the Archaic and Classical periods Knossos was a major Cretan city-state, tied in Greek tradition to King Minos and the laws of Crete, and it struck coinage carrying the Labyrinth motif. Its power rose and fell against rival Cretan cities, above all Gortyn, which became the dominant political centre of Roman Crete. Under Rome the city was styled Colonia Iulia Nobilis Cnossus and gained new building, among it the Villa of Dionysos, known for its mosaics. Occupation continued into the early Byzantine period as the site declined and nearby Heraklion became the region's principal town.
Greek tradition remembered the palace plan as the Labyrinth, built by Daedalus to hold the Minotaur and entered by Theseus with the thread given him by Minos's daughter Ariadne. The real building's courts, corridors, staircases and multiple levels probably contributed to that image; the attempt to derive "labyrinth" from the labrys, or double axe, remains disputed.
Kalokairinos, Evans and the Modern Site, 1878–2025
Minos Kalokairinos, a Cretan antiquarian and merchant from Heraklion, dug on his own land for several weeks in 1878 and 1879, exposing part of the west wing and magazines holding large pithoi. Conditions in Ottoman Crete prevented larger work; after the island gained autonomy, Arthur Evans began excavating for the British School at Athens in 1900, with Duncan Mackenzie and Theodore Fyfe among his team, in campaigns running to 1930 that uncovered most of the palace. Evans introduced the term "Minoan" from the myth of Minos, and rebuilt extensively in reinforced concrete and colour — work since criticised for going beyond what the evidence securely supports, and now part of the site's own history.
Neolithic dwellings were found beneath the palace court in 1961. The British School at Athens and the Greek Archaeological Service have continued to excavate and conserve; the Knossos Urban Landscape Project surveyed some 11 sq km of the valley, identifying an urban centre of about 1.5 sq km. The principal finds — fresco fragments, pottery, seal stones, figurines and the Linear B archive — are held in the Heraklion Archaeological Museum. One of the most visited archaeological sites in Greece, Knossos was inscribed in 2025 on the UNESCO World Heritage List as part of the serial property Minoan Palatial Centres, alongside Phaistos, Malia, Zakros, Zominthos and Kydonia.
Step inside
8 places to explore in 1500 BC.
The record describes 8 distinct spots at Knossos, including 7 interiors: central court, monumental entrance and threshold, storage magazines (pithoi rooms) and more. Create your own photoreal reconstruction and explore every one, more scenes means more photos, more angles and more of the immersive experience.
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