Italy · Partial ruin
Castle of Rocca Calascio
Castello di Rocca Calascio
The Castle of Rocca Calascio is a mountaintop rocca in Calascio, Province of L'Aquila, Abruzzo, Italy, sited at about 1,460 m. Built for military use from a 10th-century watchtower and expanded in the 13th century into a walled courtyard with four cylindrical corner towers around a taller inner tower, it overlooks the Plain of Navelli. The fortress was badly damaged in the 1461 earthquake and was not rebuilt.
Its prime
1300
Today
Partial ruin
As it stood in 1300
What Castle of Rocca Calascio looked like in its prime.
A pale grey stone fortress on a bare limestone crag, with a taller rectangular inner tower rising above a square walled courtyard framed by four round corner towers. The lower walls use noticeably larger, rough-cut blocks than the upper masonry. Crenellated parapets and narrow slit windows puncture the curtain walls. A narrow stone causeway links the main keep to the curtain; windswept paths run along the ridge and the plain of Navelli lies far below.
Its story
The story of Castle of Rocca Calascio.
A Watchtower Above the Transhumance Roads
The rocca stands at around 1,460 metres on a ridge of the Gran Sasso, the highest fortress in the Apennines. It was built of stone for military purposes alone, to hold troops rather than house a lord, and it overlooked the Plain of Navelli from one of the highest points of the old Barony of Carapelle. Set between Campo Imperatore to the north and the Tirino valley to the south-east, it counted among the principal fortifications of Abruzzo: an observation post in contact with neighbouring towers and castles as far as the Adriatic, watching the tracks by which flocks moved to and from the Campo Imperatore pastures.
Its beginnings are told two ways. One account has a single watchtower going up in the 10th century; another traces the foundation to Roger II of Hauteville, who probably promoted the work after the Norman conquest of 1140. The first documentary record dates only from 1239, and the fortress may stand on the remains of an earlier Roman work.
The Piccolomini Curtain Wall and Its Four Towers
Lordship passed through a long line of families — Pagliara, Colonna, Celano, Caldora, Accrocciamuro, Piccolomini Todeschini, Del Pezzo, Cattaneo, Medici and Bourbon. In 1463 Ferdinand I of Naples granted the castle to Antonio Todeschini of the Piccolomini, credited with the rubble-stone curtain wall and its four cylindrical towers with Ghibelline merlons; other accounts date that walled court and its corner towers, ringing the older central keep, to the 13th century. The lower half of the masonry is laid in markedly larger stones than the upper, thought to have been meant to make the base impenetrable, and the way in was a door on the eastern side some five metres above the ground, reached by a wooden ramp that could be drawn up. The defences were never tested in battle.
The Earthquakes of 1461 and 1703
What war never did, the ground did. The L'Aquila earthquake of November 1461, estimated at magnitude 7 to 8, badly damaged the fortress; the town of Calascio below it was rebuilt, and the fortress was not. A second violent earthquake in 1703 damaged the castle again and destroyed almost the whole village beneath it, and with its strategic purpose gone the site was left to decay until, by 1957, the rocca stood entirely uninhabited.
The cinema brought it back. Rocca Calascio served as the hermit's refuge in Ladyhawke in 1985, when it was still unrestored, and scenes for The Name of the Rose and The American were shot here. Restoration and consolidation work followed between 1986 and 1989, some houses in the medieval village were recovered, and in 2019 National Geographic placed the castle among the fifteen most beautiful in the world.
Step inside
9 places to explore in 1300.
The record describes 9 distinct spots at Castle of Rocca Calascio, including 2 interiors: walled courtyard, santa maria della pietà (octagonal church). Create your own photoreal reconstruction and explore every one, more scenes means more rooms, more angles, and more of the place to stand in.
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