Stadium · Spain · Restored
Estadio Benito Villamarín
Estadio Benito Villamarín is a football stadium in Seville, Spain, home to Real Betis since its opening in 1929. The stadium has undergone several enlargements and modernisations and held a capacity of about 60,721 after the 2017 expansion.
First raised
1929
Its prime
2017
Today
Restored
As it stood in 2017
What Estadio Benito Villamarín looked like in its prime.
A large circular concrete bowl with stepped, cantilevered upper tiers and a continuous overhanging rim; the outer façade is pale grey concrete punctured with a repeated triangular perforation pattern and mounted signage reading the club name and crest. Tall rectangular floodlight pylons rise above the rim. The stadium sits close to a tree-lined street with lampposts and a low ground-level band of entrances and grated openings, often surrounded by crowds in green-and-white club colours.
Its story
The story of Estadio Benito Villamarín.
Designed for the Ibero-American Exposition, 1912–1928
The stadium began as a project for the Ibero-American Exposition of 1929, for which the Spanish architect Aníbal González Álvarez-Ossorio had produced an initial design as early as 1912. In 1923 the exposition's executive committee commissioned the architect Antonio Illanes del Río to complete that design. Several locations were considered before the commissar Cruz Conde settled on the site the ground still occupies.
The technical study for the construction was carried out by Manuel María Smith, who had designed the San Mamés Stadium in Bilbao in 1913. Building work was launched in 1923 and finished by the end of 1928.
Inaugurated as the Estadio de la Exposición, 1929–1939
The new Estadio de la Exposición, in Seville, was officially inaugurated on 17 March 1929 with an international match in which Spain beat Portugal 5-0. It has been Real Betis's home since its completion in 1929; the club gained the lease and became its sole tenant in 1936.
During the Spanish Civil War, Seville City Council requisitioned the stadium and handed it over to the military. It suffered major damage as a result of the war and had to be renovated, work carried out with the help of Gonzalo Queipo de Llano, and it reopened on 12 March 1939.
Bought by Real Betis and Renamed for Benito Villamarín, 1958–1982
The northern and southern stands were extended in 1958 by the architect Antonio Delgado y Roig, and electric lighting followed in 1959, on four towers carrying forty-eight spotlights each. On 12 August 1961 the ground passed into the ownership of Real Betis, and a few days later it was renamed after Benito Villamarín, who served as club president between 1955 and 1965. Cardinal José Bueno y Monreal blessed the stadium.
Between 1971 and 1973 the northern and southern stands were demolished outright and rebuilt, and continuous expansion through the 1970s raised the capacity to 48,500 spectators. Further major work between 1979 and 1982 prepared the ground for the 1982 FIFA World Cup and lifted the capacity to 50,253; the stadium hosted two group matches during the tournament.
The Lopera Renaming, the Fans' Vote of 2010 and the Move to La Cartuja
In 1997 the stadium was renamed after the then club president Manuel Ruiz de Lopera. In 2010 Real Betis supporters voted to change the name back in honour of the former club president Benito Villamarín.
The southern stand was demolished for expansion in 2016, taking the total capacity from 52,000 to 60,721, and the work was completed in August 2017 in time for the 2017–18 La Liga season. In 2025 renovation of the main stand began and Betis moved to the Estadio de La Cartuja. The ground remains owned and operated by Real Betis Balompié.
Step inside
9 places to explore in 2017.
The record describes 9 distinct spots at Estadio Benito Villamarín, including 5 interiors: concourse under the stands, lower-tier seats at pitch level, main stand seating and roofline and more. Create your own photoreal reconstruction and explore every one, more scenes means more photos, more angles and more of the immersive experience.
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Rebuilds stop at 1945, so the artist raises this site as it stood in 1935, not today's building, as a photoreal reconstruction that belongs to you alone. Pay with coins, no subscription needed.
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